Wednesday, March 01, 2006

Know your microphones - what is the difference between pressure, pressure gradient, and velocity microphones?


Know your microphones - what is the difference between pressure, pressure gradient, and velocity microphones?
Microphones work on the principle of pressure, pressure gradient, or velocity. If you don't know the difference, then you can't yet call yourself a sound engineer.
Source: www.record-producer.com

Narrator and orchestra - an impossible PA task?
The narrator needs a microphone, but the orchestra doesn't. Is there a problem here that is impossible to solve?
Source: www.record-producer.com

How to get a $1000 a day mix engineer on your team
How do you know when you have got a good mix? Can you trust your monitoring and acoustics? Well, unless you had an acoustic designer set up your studio for you, you can't really be sure that your monitors are telling you what is really on your recording. So even if it sounds great to you, your recording may not be all that good.
Source: www.record-producer.com

Finn Arild has CD Out: Serendipity - Slightly Progressive
Hi - just a note that my CD is out and available on [url=http://www.cdbaby.com/cd/finnarild]CDBaby[/url] and [url=http://www.finnarild.com]my homepage[/url]. There are demos available both on my homepage and on the cdbaby page. There's also a video available. Check it out and tell me what you think!
Source: www.planet-musician.com

Audio on the Internet - learn Flash to get ahead
As software such as Macromedia Flash develops, a new set of skills to handle audio is necessary. You could become part of the first wave of Flash audio specialists...
Source: www.record-producer.com

Does a red light mean 'Warning', or 'Stop and back off!'
When you see a red light, is it something to ignore, think about, or act upon immediately? The quality of your recording is at stake...
Source: www.record-producer.com

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